The Garden of Good and Eden – Paulette Oakes
Getting Eden – Paulette Oakes
I read both available Eden Daire books one after the other, having found them through a random RT and thought the premise was interesting. I have to mention that there were a few typos in the books, though my review is on the content. There were only a few – maybe five or six over the two books – but I can’t not mention it, if I’m on the side of “as professional as you can get” for publishing.
Here’s the blurb for The Garden of Good and Eden:
Eden Daire has known her whole life that she was different than everyone else. Not just because she was adopted into a large Catholic family in rural Kentucky, but because she could do things that no one else could do. Things like make plants grow at will, communicate with animals, and even heal them when they were sick. No one seems to have any answers: not her family members, her mysterious best friend Amara, or even the hundreds of books she devours looking for clues. All that changes on the eve of her 25th birthday when her whole world comes crashing down around her to reveal secrets and creatures she had never known existed. And they all seem to think that she is the key to an ancient prophecy that will topple kingdoms. On top of all that, a different type of threat is looming over her beloved family and she’s the only one that can stop it in its tracks. How will she balance the love and commitment she feels to her adopted family and the new power and responsibility that comes with finally getting the answers to her past? Her world will never be the same again…
Right, then. On the whole I enjoyed these books, taken as they are. I didn’t really have to stretch my brain, but they were fun and the story was engaging. The pace was good and the over-arching story has so much potential that the two sub-stories that make up these books are given proper treatment and come to satisfactory conclusions. I wasn’t sure if these are YA or not, I don’t think so, and there is some (non-gratuitous) swearing.
The main premise is that there are three warring factions: Earth, Sky and Sea. Eden, the protagonist, is at the centre of this conflict. She lives in Kentucky, with a huge extended family (more on that later) and has always been different. She just didn’t know exactly how different until her 25th birthday. The author uses the Greek pantheon in the main part, with the addition of vampires (more on that later) fey/fairies and were-cougars. As the story progresses, the tension between the human world and the supernatural world builds nicely and Eden gets some good meaty decisions to make about her destiny.
There are some great characters in store if you pick up these books – Demetrius the satyr is cheesy and fun, but the joke of his stereotypical randiness doesn’t get old, and there’s some juicy backstory there that begs to be explored in future books. The brownies, Brother and Sister, also manage to avoid Jar Jar Binks territory and stay on the cute side of “creature sidekick”. Terra, Eden’s mother, comes across as a little cold, but it’s understandable given the situation she is in, and it’s good that Oakes doesn’t make her the traditional “Earth Mother”, soppy, tearful kind of woman.
The powers that Terra and Eden share are clearly defined and demonstrated, and are finite. This is a good decision on the part of the author, as too many of these sorts of books have a DESTINED ONE who is too ridiculously powerful. This also gives Eden’s powers room to grow as she matures and learns to control them. The relationship Eden has with Sheba, her dog, is very well done – part Lyra/Pan, part Dr Doolittle, and the traffic isn’t all one way; Sheba is pretty smart!
A lot of the style of these books reminds me of the Southern Vampire books by Charlaine Harris. Eden is very forthright, and doesn’t spend a lot of time agonising over how other people might react to what she says or does. She is a strong young woman, and acts decisively. She is one of the younger members of her sprawling family, and that’s where I struggled to keep up a little. Eden has so many relatives I just had to let it wash over me. The family is well-established with nicknames and all their spouses and children and businesses, but really apart from Aaron, Sue and Josey in the first book, and then Mac and Cheese and Pharaoh in the second, you don’t really need to be able to tell the others apart. By dint of being juuuust outside The South, the Daires avoid total hillbilly, huge redneck family status, but only just. Maybe that’s my cultural bias, as a Brit.
The main issue I had with her family is that they’re all just too easily accepting. Not even one cousin has a problem (and there are many cousins) with Eden’s powers and the danger they’re all put into because of it. I know they all grew up with her, and it’s all about acceptance, but really? There is some family conflict in Getting Eden with Starla and Pharaoh, which makes up for this a little. The other thing is that despite being twenty-four years old, successful or not, too many of the older family defer to her. Yes, she has magical greenfingers, but the Daire family have their own skills and ventures and intelligence. That Eden just assumes responsibility for sorting out the Tuckers and the protesting – and calling lawyers on the family’s behalf! – was a bit of a stretch, that again not even one older uncle or aunt had an issue with this girl wading in and saying she’s got it all under control.
The other big gripe I have with this series is the inclusion of vampires. There was already so much stuff to play with: all kinds of nymphs and dryads, satyrs, maenads, sirens, witches and the godheads themselves. I don’t think it needed vampires as well. Or fey and brownies either, if I’m being strict about it. Or dwarves and gnomes. But the vampires… I felt like the grandson in the Princess Bride, being tricked into reading a kissing book. Granted, the main vampire character, Patrick, is not a constant presence and the rest of the story chugs along nicely, but why not a dryad or a minotaur? Or an Amazon, since the author is happy to include homosexual relationships with side characters (hoorah for normalising non-hetero couples!). As Demetrius himself asks, in The Garden of Good and Eden, “always with the vampires! What is the big obsession with vampires and werewolves? Is it the fangs? The mystery and romanticism of the night?”
This comes up when Eden is learning about who and what she is, with Terra and Demetrius telling her that myths are partly true. So she’s sitting with a satyr and mother Earth, and she doesn’t ask about anything else from the Greek mythology, despite having that used as an example. By the satyr. Eden has read Greek myths. But she doesn’t ask about Hercules, or Mount Olympus, or the Percy Jackson books; she goes straight to vampires. It sort of jarred with the rest of the story. Like Oakes sort of wanted to write a vampire romance but tucked it away inside an already strong premise. As I said, though, Patrick is not around all the time and hopefully in the next book the vampires will be out of the picture.
I am interested to see where the story goes, and will be keeping an eye out for the next one. I want to see Amara develop, and more of the Storm Riders, and Boone getting more badass. There is such a lot to tease out with this world, and I think it will only go from strength to strength. The fight scenes are snappy, the main characters are established and the conflict is engaging and not too soapy.
You can follow Paulette Oakes on Twitter here.
The Garden of Good and Eden (Eden Daire 1) is available from Amazon UK here. For 99p! Worth a punt 🙂